Joining The Bricklin’s Tania Breen and Katie Swift of A Doll’s House, comedienne Rachel Jones rounds out a trio of TNB leading ladies with New Brunswick roots. The STU and UNB alum talks timing and trust in comedy and why she loves being back in the Maritimes.

Rachel Jones stars in TNB's The 39 Steps, Oct. 13-16 at the Fredericton Playhouse
Welcome back to New Brunswick! You have strong New Brunswick connections with both Saint John and Fredericton, right?
I lived in Fredericton between 1990 and 1996. I went to St. Thomas University for four years and then I went to UNB for two years to do my Masters and before that I lived in Saint John for a few years and before that I lived in PEI.
Your co-star Gordon Gammie told us that he came to theatre after some time in a different career. How about you? Did you always know you wanted a career on the stage?
I went to school for English literature and I just kept going to school for English literature because it turned out I was interested in it and I was good at it. I’d wanted to go to theatre school as soon as I graduated high school but my parents said, “you better try to get yourself a back-up career. “ So I did the back-up career first and I kept going until my fourth year of a PhD in English literature. I did all the course work and wrote all the exams and was in the process of writing my thesis. Then I had my daughter and just around that time I started thinking, “I’m not getting any younger. If I want to do this I should give it a try.” I’d always been an amateur actor and doing lots and lots of it at certain points. So I auditioned for a professional show at The Grand Theatre in London and got into that and immediately became full Equity. From then on I just did professional shows. So my training has all been essentially through doing.
You’re pulling triple duty in this show playing three very different women. Tell us a little about them.
The first character is Annabella who is a very mysterious secret agent. She comes on, basically gets the main character (Richard Hannay) involved in the whole intrigue and then she’s off the scene and it’s up to Richard to carry on. Then he’s off on his mission that Annabella has given him. He’s in Scotland and he has to stay the night at a crofter’s cottage so my character is the young wife of this crusty old Scottish crofter. She’s supposed to be very shy and innocent but also very taken with Richard because he shows up in the middle of the night so to her he’s the mysterious stranger. She becomes very taken with him and sort of helps him out when he gets in a jam. Then the third character I play is Pamela. She’s a young English woman, she plays by the rules; a very upright, old-school kind of girl. When she comes on the scene it doesn’t go very well at first. It’s a love-hate thing. She tries to turn him in to the police, they get into a lot of scrapes together but they sort of run the rest of the play together.
This is such a madcap and zany comedy. Do you work in primarily comedy?
I do love drama. In recent years I’ve done much more comedy than drama because I’ve been working a lot at summer theatre and you don’t get a lot of heavy drama in the summer. I’ve been doing pretty much a farce a year as well as some other comedic things. It’s been awhile since I’ve had a good hefty drama to sink my teeth into and I’d love to do that soon but comedy is so much fun.
The timing is so incredibly important. I think the audience would be amazed to know how much work it is just to get the exact timing of a simple head take. If you don’t do it with exactly the right timing it can just fall flat. It really is the difference between funny and not funny.
I asked Gordon a similar question because the two of you have so much physical comedy together in some pretty confined spaces. What do you need in an on-stage partner to make that work?
I’m really enjoying working with Gord. You have to be able to trust the other person because you do a lot of things in theatre that you would never do in real life. You have to be on the same page with it. Now we’re so used to each other that it’s not an issue in any way to have to do any of the quite physical stuff we have to do. It makes it much more fun and you can come up with much funnier stuff when you don’t mind rolling around on top of each other and going “alright how was that? What if I get the leg over now?” It’s fun.
This is your Theatre New Brunswick debut. How is it being back in New Brunswick?
I love it! This is the first time I’ve been back in the Maritimes doing theatre professionally and it’s so exciting to me because you grow up watching theatre here. I graduated from high school and got the drama prize when I graduated from St. Vincent’s in Saint John. For a year I had a pass to come see all the shows at TNB and I remember sitting there thinking, “I love this and I want to be up there doing that.” So for me to have the chance to come back here to do this, it’s really exciting to me. And even just the environment of being in Fredericton… I was walking around at the market on Saturday and I thought, “This really feels like home to me.” If there was work for me here, I could easily come back here and live here and be perfectly happy because this is part of me. It’s a big part of me, the Maritimes. People are different and when I come back here I think, “oh yes, this is how I remember people being when I grew up.” So I love being back here. My daughter’s out here with me and she’s staying with my parents so on my day off I drive down to Saint John and hang out with everybody so it’s perfect!
The 39 Steps runs from October 13-16 at The Fredericton Playhouse with performances at 7:30 p.m. Thursday –Saturday and 2:00 p.m. Sunday.
Tickets are available at The Fredericton Playhouse box office (506)458-8344, or online at tnb.nb.ca
Adults $40 | McCain Student Tickets only $10